Stern & Loebl Families Database
A fully searchable database containing the Jewish ancestors of the Stern and Lobl/Loebl families - and their many descendant lines as researched by Gerald Stern.
Marie-Laure Henriette Anne BISCHOFFSHEIM
1902 - 1970 (67 years)-
Name Marie-Laure Henriette Anne BISCHOFFSHEIM Birth 31 Oct 1902 Gender Female Death 29 Jan 1970 Person ID I7026 My Genealogy Last Modified 1 Mar 2024
Father Maurice BISCHOFFSHEIM d. Bef 1910 Relationship natural Mother Marie-Thérèse Anne-Josephe Germaine DE CHEVIGNE BISCHOFFSHEIM, b. 13 Oct 1880, St Etienne de Montluc, France 
d. 25 Oct 1963, Grasse, France (Age 83 years) Relationship natural Family ID F2636 Group Sheet | Family Chart
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Notes - Marie-Laure de Noailles, Vicomtesse de Noailles, was one of the 20th century's most daring and influential patrons of the arts, noted for her associations with Salvador Dalí, Balthus, Jean Cocteau, Man Ray, Luis Buñuel, Francis Poulenc, Jean Hugo, Jean-Michel Frank and others as well as her tempestuous life and eccentric personality. She and her husband financed Ray's film Les Mystères du Château de Dé (1929), Poulenc's Aubade (1929), Buñuel and Dalí's film L'Âge d'Or (1930), and Cocteau's The Blood of a Poet (1930).
She was born Marie-Laure Henriette Anne Bischoffsheim, the only child of Marie-Thérèse de Chevigné, a French aristocrat, and Maurice Bischoffsheim, a Paris banker of German Jewish and American Quaker descent.
One of her great-great-great-grandfathers was the Marquis de Sade, and her maternal grandmother, Laure de Sade, Countess de Chevigné, inspired at least one character in In Search of Lost Time by Marcel Proust. Her nephew Philippe Lannes de Montebello was the director of the Metropolitan Museum of Art in New York City. Her stepfather was the French playwright Francis de Croisset, and her former sister-in-law, Jacqueline de Croisset, became the third wife of the actor Yul Brynner.
After a brief romance with the artist Jean Cocteau, Marie-Laure Bischoffsheim married, in 1923, Arthur Anne Marie Charles, Vicomte de Noailles (26 September 1891- 28 April 1981), a grandson of Antonin-Just-Léon-Marie de Noailles and younger brother of the 6th Duc de Mouchy (father of Philippe François Armand Marie de Noailles), himself a cadet of the French ducal house of Noailles. Though events eventually transpired to reveal that Charles de Noailles preferred men sexually, the ill-matched couple had two daughters:
* Laure Madeleine Thérèse Marie de Noailles (Mme Bertrand de La Haye Jousselin who died 1979).
* Nathalie Valentine Marie de Noailles (former wife of Alessandro Perrone, who died 2004).
Marie-Laure de Noailles and her husband moved to the fabled hôtel particulier at 11 Place des États-Unis in Paris, which was built by her grandfather Bischoffsheim. Its interiors, which were redecorated in the 1920s by French minimalist designer Jean-Michel Frank, vanished in the 1980s, due to a subsequent owner's redecoration and remodelling.
Today the interiors have been renovated by Philippe Starck and house the Musée Baccarat and the headquarters of Baccarat, the crystal company.
In the 1920s, the de Noailles built the Villa Noailles near Hyères. In the 1950's she had a long term affair with the surrealist painter Oscar Dominguez
- Marie-Laure de Noailles, Vicomtesse de Noailles, was one of the 20th century's most daring and influential patrons of the arts, noted for her associations with Salvador Dalí, Balthus, Jean Cocteau, Man Ray, Luis Buñuel, Francis Poulenc, Jean Hugo, Jean-Michel Frank and others as well as her tempestuous life and eccentric personality. She and her husband financed Ray's film Les Mystères du Château de Dé (1929), Poulenc's Aubade (1929), Buñuel and Dalí's film L'Âge d'Or (1930), and Cocteau's The Blood of a Poet (1930).